Jasper Goodall
Two photographs of wheat weavings (made by the artist).
Pigment ink on 90 gsm Awagami Kitakata select paper with four deckle edges.
40 × 52 cm. Edition of 10 + 2 APs
Kitakata select made by the Awagami mill, is a Japanese paper made primarily of Gampi fibres, so whilst this paper is lightweight it is incredibly strong. It was chosen for its natural feel and straw-like colouring which has fibrous flecks that complement the organic nature of the subject matter.
Stanmer Crown (left) is a new design. It follows the traditional form of a crown with a central column and radiating looped elements. It is named after a area local to Jasper in East Sussex. Cross of Staves (right) is another new design in the form of a cross bearing two staves. It is inspired by the Long Man of Wilmington – a chalk hill figure in the East Sussex downs depicting a giant carrying two rods.
Framing recommendations: ask your framer to choose a complimentary mount-board and affix the paper to this using just hinges in all four corners (not dry mounted) The paper will sit lightly on the mount-board with a small 10mm gap to the frame edge.
Jasper Goodall
Two photographs of wheat weavings (made by the artist).
Pigment ink on 90 gsm Awagami Kitakata select paper with four deckle edges.
40 × 52 cm. Edition of 10 + 2 APs
Kitakata select made by the Awagami mill, is a Japanese paper made primarily of Gampi fibres, so whilst this paper is lightweight it is incredibly strong. It was chosen for its natural feel and straw-like colouring which has fibrous flecks that complement the organic nature of the subject matter.
Stanmer Crown (left) is a new design. It follows the traditional form of a crown with a central column and radiating looped elements. It is named after a area local to Jasper in East Sussex. Cross of Staves (right) is another new design in the form of a cross bearing two staves. It is inspired by the Long Man of Wilmington – a chalk hill figure in the East Sussex downs depicting a giant carrying two rods.
Framing recommendations: ask your framer to choose a complimentary mount-board and affix the paper to this using just hinges in all four corners (not dry mounted) The paper will sit lightly on the mount-board with a small 10mm gap to the frame edge.
Please allow up to 10 working days for receipt of prints. This is to ensure paper can be ordered and the print can be made as perfectly as possible.
